Snork Enterprises on Minus "Making Contakt" DVD
Minus licensed Monkey B´s "Forward funk" which was released on Snork15 for the "Making Contakt" documentary.
It was played by Richie Hawtin in the intro of the Contakt Event at Amsterdam.
Thanks to get the chance to see a Snork Enterprises release in such a great moment.
More info at www.m-nus.com
DVD Release: February 26th, 2010
Subtitles: German, Italian, Spanish and French
Bonus material: Contakt Special ’09, unreleased photos and CD soundtrack
Distribution: Rough Trade
13.02.2010 Snork Enterprises Label Night
Cafe Miesna, Poznan, Poland
Syntax Error Live PA
Snork25 Cristian Vogel - Time to feed the alien e.p. Releaseparties
26.02.2010 WMF, Berlin
Snork Floor: Cristian Vogel Live, Jens Zimmermann, Syntax Error
Relax2000 & Ugly Funk Floor: Mark Hawkins, Bill Youngman
27.02.2010 Studio B, Oldenburg
Cristian Vogel Live, Syntax Error
Snork25 by Cristian Vogel out now!!!
Snork25
Cristian Vogel – Time to feed the alien e.p.
A: Fed Forward
B: Fed Backward
Cristian Vogel (by Brian Stevens)
Snork Enterprises also restarts in 2010 with Cristian´s Snork25 in a new design created by
No Domain, check www.no-domain.tv!!!
Cristian Vogel is back to feed the aliens of electronic music!!!Watch out for more info!
info: Cristian Vogel makes a welcome return to Snork with two more explorations into the deeper side of
the dancefloor. As ever, the trademark warped sound of Mr Vogel has been taken slightly further, something
that might take a few listens to become accustomed to, but once is understood correctly, will stay with you
to the grave. Cristian got support of MDK knwon from the Spymania Crew, who worked on the edit and arrangement.
Thanks!
“Fed Forward” yet again displays this producer's unique talent of taking the current musical rulebook, throwing
it not only through the nearest window but also straight through the windscreen of a passing police car. The
words “Bass Drum” and “High Hat” are meaningless here, we are way beyond these cliched concepts. That's not to
say that the music isn't driving, as I'm sure many a floor will be grooving away when this is heard very loud
over a good quality PA.
“Fed Backward” continues the same groove, but with slightly more of a “heartbeat” motif, and something which
comes close to a bassline, but really, I can't say, both cuts are indescribable.
Basically, it's fucking nuts. That's all I can say here at this time. Really this record should come with one
of those health warnings like you see on TV when they warn of flashing images and the like. Play it loud, very
loud, and see what the effect is!
Snork24 by Syntax Error released in December!!!
Releasedate:
Vinyl 04.12.2009
Digital 11.12.2009
Snork24
Syntax Error – Mental Abyss e.p.
A: Norflop Poseidon
B: Oceanic Amcom
Sound & Info
info :
Snork Enterprises Director General Syntax Error returns once more to Snork with two fine funky flavours
to further your freeform movements on the dancefloor.
Norflop Poseidon begins with a collection of abstract beats which soon collect themselves into a bass heavy rhythm.
Broken beats collide with the minimal groove, and DX drones soon give way to solid digital clunks giving us something
genuinely new and different.
Osceanic Amcom returns us to more conventional beat structures backed up with more FM synthesis taking us on a journey
into deep electronic sounds. Snares and rattles then intervene, and the FM bass gets deeper, taking us into a bouncing,
delay filled funk.
Two fresh funk filled cuts from the Snork Grand Master himself, play them LOUD!
Relax2009 the first for the year 2010, by Mark Hawkins & JE:5!!!
Relax2009
Mark Hawkins & JE:5 – Absurdly connected machines e.p.
A1: Usine à gaz
A2: Pitagora Suicchi
B1: Weltmachine
B2: Il Tempo Gigante
Sounds & Info
info :
An E.P. Of two tales, the first beginning in Berlin during the winter of 2005, the
second from the wilds of the English countryside.
Mark Hawkins should need no introduction here. His music career which spans the past
ten years has brought numerous releases, and performances around the world, including
legendary clubs like Stammheim, Tresor and U60311 in Germany, Doornroosje in the
Netherlands, Le Batofar in Paris, France and the Tunnel Club in St Petersburg, Russia.
JE:5 is one of the UK's most unsung talents. Resident Live-act at Uglyfunk from it's
inception in 1997, he was always pushing the boundaries, quite often, writing his live
sets on the night of the performances.
Usine a Gaz and Pitagora Suicci were recorded after Mark and JE:5 had too many late nights
in the clubs of Mitte, restaurants of Boxhagnerplatz and bars of Ostkreuz. Sucking
influence from Hardwax where during that week many records by Audion, James T Cotton and
Hieroglyphic Being were purchased, this is the sound of Latte Machiatto, Bionade, Sternberger,
and Kiefen, finally captured on wax.
Uscine A Gaz is an Illinois inspired ode to Jack, merging mid 90s techno flavours with 21st
century tempo and groove.
The destruction of an allnighter at the Panzerwerk becomes apparent in
Pitagora Suicci. You can hear the dehydrated remains of two people who's only way of communicating
with the outside world is through the machines.
Welt Machine and Il Tempo Gigante were recorded by Mark alone in the bedroom of a small market town
in suffolk early in 2009.
Weltmachine gives a nod and a wink to Maurizio, and reminisces of old times in the German capital.
Anthemic is probably the only word to describe “Il Tempo Gigante”, it's where LFO, Mathew Jonson
and DJ Dag all meet in a Berlin Keller, with only a bottle of Jagermeister for company. I'm sure they
will still be working the floor at 10am monday morning!
Ditch on Snork Enterprises again, this time he get´s big support of Fumiya Tanaka!!!
Snork23
Ditch – Manse Al e.p.
Incl. Fumiya Tanaka remix
A1: Funcup Reipian
A2: Fumiya Tanaka remix
B: After
Sound & Info
info :
Japanese producer Ditch aka Shinichiro Kono showcases two more of is trademark Art-Noise/Minimal techno compositions,
backed up with a percussion driven remix from the world renowned Fumiya Tanaka, much touted in the music press of the late
nineties as the “Japanese jeff mills” - as if that really means anything ten years on! Since starting to produce in 2005 Ditch
has appeared on numerous labels including Minibar, Safari Electronique and Microcosm to name but a few, and now we are very proud
to announce his debut for Snork industries!
“Funcup Reipan” introduces us to the Ditch sound – Sparse and industrial, Stark and experimental Frequency shifts, build into heavy
bass glitches, meanwhile chaotic sounds become more insistant and regulated.
Fumiya Tanaka turns up the heat with beats for the street, juxtaposed with stereo stabs, and the subterranean bass from the original,
running clockwork fashion like a minimal stopwatch.
“After” then turns up a tearing bass tone overlaid with a funky hat and LFOsnare combo rubbing against what sounds like heavily effected
field recordings – the bass then slowly becomes an incessant funky groove guaranteed to get the most hardened chin stroker grooving away
on the floor...
New Laufmasche, after his great Snork19, this time on Relax2000!!!
Relax2008
Laufmasche –Fm e.p.
A: Luna
B1: Bell
B2: Butterblume
Sound & Info
info :
After previous outings on Snork, Vita Minima and Pas de nom, Laufmache dishes up the next offering
from Relax 2000. Squared strictly at the dancefloor, it feels like there's a party in your mouth and
everyone is invited!
Laufmache digs through the comedy samples to kickstart “Luna”, and organ driven roller designed to make
the feet tap and the bottom sway. Pitch diving synths then intervene to add some light relief to the
proceedings, backed up with delayed bleeps which sparkle and shine.
“Bell” is a much dryer and colder offering, robofunk basslines crash head on into the bells which then
slowly rise and fall in pitch, increasing the tension as they move forward.
Chugging along like a choo choo train “Butterblume” makes us funk backwards and forwards, Jack up and
down, and Butterfly sideways, all at the same time.
3 trax guaranteed to move the floor like an earthquake!
Minus licensed Monkey B´s "Forward funk" which was released on Snork15 for the "Making Contakt" documentary.
It was played by Richie Hawtin in the intro of the Contakt Event at Amsterdam.
Thanks to get the chance to see a Snork Enterprises release in such a great moment.
More info at www.m-nus.com
DVD Release: February 26th, 2010
Subtitles: German, Italian, Spanish and French
Bonus material: Contakt Special ’09, unreleased photos and CD soundtrack
Distribution: Rough Trade
13.02.2010 Snork Enterprises Label Night
Cafe Miesna, Poznan, Poland
Syntax Error Live PA
Snork25 Cristian Vogel - Time to feed the alien e.p. Releaseparties
26.02.2010 WMF, Berlin
Snork Floor: Cristian Vogel Live, Jens Zimmermann, Syntax Error
Relax2000 & Ugly Funk Floor: Mark Hawkins, Bill Youngman
27.02.2010 Studio B, Oldenburg
Cristian Vogel Live, Syntax Error
Snork25 by Cristian Vogel out now!!!
Snork25
Cristian Vogel – Time to feed the alien e.p.
A: Fed Forward
B: Fed Backward
Cristian Vogel (by Brian Stevens)
Snork Enterprises also restarts in 2010 with Cristian´s Snork25 in a new design created by
No Domain, check www.no-domain.tv!!!
Cristian Vogel is back to feed the aliens of electronic music!!!Watch out for more info!
info: Cristian Vogel makes a welcome return to Snork with two more explorations into the deeper side of
the dancefloor. As ever, the trademark warped sound of Mr Vogel has been taken slightly further, something
that might take a few listens to become accustomed to, but once is understood correctly, will stay with you
to the grave. Cristian got support of MDK knwon from the Spymania Crew, who worked on the edit and arrangement.
Thanks!
“Fed Forward” yet again displays this producer's unique talent of taking the current musical rulebook, throwing
it not only through the nearest window but also straight through the windscreen of a passing police car. The
words “Bass Drum” and “High Hat” are meaningless here, we are way beyond these cliched concepts. That's not to
say that the music isn't driving, as I'm sure many a floor will be grooving away when this is heard very loud
over a good quality PA.
“Fed Backward” continues the same groove, but with slightly more of a “heartbeat” motif, and something which
comes close to a bassline, but really, I can't say, both cuts are indescribable.
Basically, it's fucking nuts. That's all I can say here at this time. Really this record should come with one
of those health warnings like you see on TV when they warn of flashing images and the like. Play it loud, very
loud, and see what the effect is!
Snork24 by Syntax Error released in December!!!
Releasedate:
Vinyl 04.12.2009
Digital 11.12.2009
Snork24
Syntax Error – Mental Abyss e.p.
A: Norflop Poseidon
B: Oceanic Amcom
Sound & Info
info :
Snork Enterprises Director General Syntax Error returns once more to Snork with two fine funky flavours
to further your freeform movements on the dancefloor.
Norflop Poseidon begins with a collection of abstract beats which soon collect themselves into a bass heavy rhythm.
Broken beats collide with the minimal groove, and DX drones soon give way to solid digital clunks giving us something
genuinely new and different.
Osceanic Amcom returns us to more conventional beat structures backed up with more FM synthesis taking us on a journey
into deep electronic sounds. Snares and rattles then intervene, and the FM bass gets deeper, taking us into a bouncing,
delay filled funk.
Two fresh funk filled cuts from the Snork Grand Master himself, play them LOUD!
Relax2009 the first for the year 2010, by Mark Hawkins & JE:5!!!
Relax2009
Mark Hawkins & JE:5 – Absurdly connected machines e.p.
A1: Usine à gaz
A2: Pitagora Suicchi
B1: Weltmachine
B2: Il Tempo Gigante
Sounds & Info
info :
An E.P. Of two tales, the first beginning in Berlin during the winter of 2005, the
second from the wilds of the English countryside.
Mark Hawkins should need no introduction here. His music career which spans the past
ten years has brought numerous releases, and performances around the world, including
legendary clubs like Stammheim, Tresor and U60311 in Germany, Doornroosje in the
Netherlands, Le Batofar in Paris, France and the Tunnel Club in St Petersburg, Russia.
JE:5 is one of the UK's most unsung talents. Resident Live-act at Uglyfunk from it's
inception in 1997, he was always pushing the boundaries, quite often, writing his live
sets on the night of the performances.
Usine a Gaz and Pitagora Suicci were recorded after Mark and JE:5 had too many late nights
in the clubs of Mitte, restaurants of Boxhagnerplatz and bars of Ostkreuz. Sucking
influence from Hardwax where during that week many records by Audion, James T Cotton and
Hieroglyphic Being were purchased, this is the sound of Latte Machiatto, Bionade, Sternberger,
and Kiefen, finally captured on wax.
Uscine A Gaz is an Illinois inspired ode to Jack, merging mid 90s techno flavours with 21st
century tempo and groove.
The destruction of an allnighter at the Panzerwerk becomes apparent in
Pitagora Suicci. You can hear the dehydrated remains of two people who's only way of communicating
with the outside world is through the machines.
Welt Machine and Il Tempo Gigante were recorded by Mark alone in the bedroom of a small market town
in suffolk early in 2009.
Weltmachine gives a nod and a wink to Maurizio, and reminisces of old times in the German capital.
Anthemic is probably the only word to describe “Il Tempo Gigante”, it's where LFO, Mathew Jonson
and DJ Dag all meet in a Berlin Keller, with only a bottle of Jagermeister for company. I'm sure they
will still be working the floor at 10am monday morning!
Ditch on Snork Enterprises again, this time he get´s big support of Fumiya Tanaka!!!
Snork23
Ditch – Manse Al e.p.
Incl. Fumiya Tanaka remix
A1: Funcup Reipian
A2: Fumiya Tanaka remix
B: After
Sound & Info
info :
Japanese producer Ditch aka Shinichiro Kono showcases two more of is trademark Art-Noise/Minimal techno compositions,
backed up with a percussion driven remix from the world renowned Fumiya Tanaka, much touted in the music press of the late
nineties as the “Japanese jeff mills” - as if that really means anything ten years on! Since starting to produce in 2005 Ditch
has appeared on numerous labels including Minibar, Safari Electronique and Microcosm to name but a few, and now we are very proud
to announce his debut for Snork industries!
“Funcup Reipan” introduces us to the Ditch sound – Sparse and industrial, Stark and experimental Frequency shifts, build into heavy
bass glitches, meanwhile chaotic sounds become more insistant and regulated.
Fumiya Tanaka turns up the heat with beats for the street, juxtaposed with stereo stabs, and the subterranean bass from the original,
running clockwork fashion like a minimal stopwatch.
“After” then turns up a tearing bass tone overlaid with a funky hat and LFOsnare combo rubbing against what sounds like heavily effected
field recordings – the bass then slowly becomes an incessant funky groove guaranteed to get the most hardened chin stroker grooving away
on the floor...
New Laufmasche, after his great Snork19, this time on Relax2000!!!
Relax2008
Laufmasche –Fm e.p.
A: Luna
B1: Bell
B2: Butterblume
Sound & Info
info :
After previous outings on Snork, Vita Minima and Pas de nom, Laufmache dishes up the next offering
from Relax 2000. Squared strictly at the dancefloor, it feels like there's a party in your mouth and
everyone is invited!
Laufmache digs through the comedy samples to kickstart “Luna”, and organ driven roller designed to make
the feet tap and the bottom sway. Pitch diving synths then intervene to add some light relief to the
proceedings, backed up with delayed bleeps which sparkle and shine.
“Bell” is a much dryer and colder offering, robofunk basslines crash head on into the bells which then
slowly rise and fall in pitch, increasing the tension as they move forward.
Chugging along like a choo choo train “Butterblume” makes us funk backwards and forwards, Jack up and
down, and Butterfly sideways, all at the same time.
3 trax guaranteed to move the floor like an earthquake!